Monday, December 26, 2011

Life from the bottom of the pool

FROM Tim Winton's novels to soap operas such as Home and Away, the beach is part of Australian folklore; the idealised antipodean childhood is often imagined in terms of the hiss and fizz of the surf; learning about the surge and rhythm of the waves by being in them.

I learned to love the water amid the red dirt and cotton silos of the NSW outback.

English: Photo of the North Palm Beach Surf an...Image via WikipediaMy family arrived here from Ireland in late 1967, swapping an icy winter for a parched summer in Sydney's west. Those first few months were so hot and dry my parents thought it would never rain again.

My mother parked my baby sister's pram in the cement-floor bathroom - the coolest room in the house - and introduced my four siblings and me to our local swimming pool.

The first visit was inauspicious, to put it mildly. In those days, there were few warnings about the need for sunscreen, no neck-to-calf sunsuits that paranoid parents shroud young children in today. Mum assumed her pale-skinned brood, then aged from one to seven, would be fine because the day was overcast. Alas, by the time we got home, we were the colour of smoked salmon. We stayed indoors for several days afterwards, dressed only in our undies and wet towels.


Nevertheless, for me, this would mark the beginning of a long and unfashionable love affair with municipal swimming pools. For thousands of Australians in outer suburbs and country towns, the essence of summer is a concrete and tile box reeking of chlorine, rather than the fabled coast, because that is where we learned to conquer the water.

I remember my first dive off the blocks, and the summer I mastered backward somersaults without the water going up my nose, as vividly as surfers remember the first time they danced to shore on a wave.

In the early 1970s my family moved to Wee Waa, about 600km northwest of Sydney, after Dad secured work digging trenches that would help deliver an unheard-of luxury to the cotton-growing town: a flush toilet in every home. We could walk to the local pool and my mother booked us in for swimming lessons. As usual, I failed to keep up with my brothers and needed an extra set.

I was almost nine and deeply ashamed of the fact I couldn't swim. Yet within weeks, I was so at ease in the water my siblings and

I regularly took ourselves to the pool after school. This would have never happened in the city.

For me, being free and fast and impossibly light in the water was liberating in a way no other pastime had been, and when we returned to Sydney my parents flung up the biggest above-ground pool they could find.

Mum and Dad couldn't swim, and didn't exactly rush into initiating their five kids into Australia's celebrated surf culture. In fact, after migrating here it took them five years to get around to taking us to the beach. My mother's explanation for this seems inadequate at the same time as it rings true. "It wasn't something people out this way did," she insists. "Out this way" was Sydney's outer western suburbs. It was hardly the outback, but to my parents the beach was beyond the city centre and, hence, another country.

Our family finally made it to the beach in 1972. I remember arriving at Coogee in Sydney's east about midday; the sand was like hot coals and the thunderous break that thumped the shore scared the living daylights out of me.

When I was an adolescent, we started going to NSW's central coast for the Christmas holidays. At first, we tried camping, but the tent almost blew away in a coastal gale - we were in it at the time.

The next year, we splashed out and bought a caravan. We parked it in the yard of a holiday house owned by another Irish family. Altogether, there were 14 people on one suburban block. The neighbours must have thought us the equivalent of a Roma Gypsy clan, but didn't seem to mind.

My dad refused to bow to the basics of beach etiquette. He still couldn't swim. He had deeply tanned arms from working outside but bluish-white legs because he didn't believe in shorts. (He considered that wearing shorts, like taking a daily shower, was a ridiculous Australian affectation.)

He went to the beach in his mass clothes: gaberdine trousers, collared shirt, shoes and socks. If he forgot to bring a sunhat, he would wear mine, revelling in my teenage mortification.

Of course, no Christmas break was complete without the ritual traffic gridlock, as half the city fled the suburbs for the coast. Mum reckons the breakdown lane on the freeway heading north was like a reunion; we'd often meet other Irish families we knew, stranded by the roadside in their dodgy, overheating second-hand cars.

These days I take my kids on beach holidays a couple of times a year. They love testing themselves against the waves; the pull and push and thrilling unpredictability of the surf.

Yet for me, the defining episode of my childhood summers will always be the year I kicked away from the sides of the Wee Waa pool and plunged down, without fear, to touch the bottom of the deep end.
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Tuesday, December 20, 2011

Making Your Cashmere Last for Decades, Softer Over Time

The second cavern in the Cashmere CavernsImage via WikipediaBrunello Cucinelli's cashmere collection goes well beyond the clothes made by his label. The fashion designer has a closet filled with cashmere blazers, sweaters and scarves, including pieces picked up from his travels to the Kashmir region of south Asia.

Mr. Cucinelli takes good care of his cashmere collection, believing the pieces can be handed down for generations. He has pieces that are more than 30 years old. "A cashmere knit is like a book," he says. "It is something to save and go back to time after time. It is the feeling of an embrace." Indeed, when cashmere is well cared for and stored, Mr. Cucinelli says, "its look can improve and the feel can become even softer." After each washing, the cashmere fibers get wider and more open.

But the designer, who is based in Solomeo, Italy, doesn't send his cashmere sweaters to the dry cleaner unless there's a tough stain that requires a specialist. While he sends coats and pants to the dry cleaner, he favors washing the rest at home by hand. Never wash cashmere in a machine, he adds. It "accelerates the aging of the fiber."

When cleaning cashmere at home, Mr. Cucinelli generally fills a container with warm water for pieces that are one solid color. For pieces that are printed or have more than one color, he uses very cold water.

Enlarge Image

Jacopo Quaranta for The Wall Street Journal
A mannequin in one of the label's sweaters for women at Brunello Cucinelli's Solomeo, Italy, office.

Then, he takes a tablespoon of gentle hand soap or a soap that's specifically created for knitwear and dilutes it in five liters of water. (If you're using a fabric softener, he says, try a natural one such as white vinegar, as chemicals could alter the texture of the garment.)

Mr. Cucinelli soaks the garment in water for two to three hours "without moving it," a step that allows the fibers to open. Then he gently squeezes the water out without twisting the cashmere, which he notes would stretch the fiber too much. He repeats this step until all soap and water are gone.

The designer always lays the piece flat on a soft towel to dry. If he chooses to iron the piece at the end, he places a soft cloth on the piece so the iron is not in direct contact with the cashmere. Also, he uses the iron's steam setting to avoid harsh direct heat.

When stored, cashmere needs air, Mr. Cucinelli notes, "so it can 'breathe' because it is a natural fiber." The designer prefers to store pieces in a colorless cardboard box with cedar disks inside. A lightweight fabric bag also works, but a box gives material more room to breathe, and the cedar disks deter moths while adding a subtle scent.

If a spill happens while Mr. Cucinelli is out, he is careful "not to intervene right away, as you may worsen the situation by rubbing the stain too much." Instead, he waits until he can hand-wash the garment or, if the stain is bad, he takes it to a cleaner that specializes in treating cashmere.
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Thursday, December 15, 2011

Trio to offer Tiara Tips Boot Camp

On Sunday, January 8, 2012 Katie Boyd, Lorna Brunelle and Monique Jones will be hosting the Tiara Tips Boot Camp at the Burt Wood School of Performing Arts -The Alley Theatre from 10 a.m.-3 p.m.

This intense boot camp will focus on fitness/nutrition, interview prep, platform development, pageant etiquette, walking, stage presence and styling with top trainers in Massachusetts.

Susie Castillo, Miss USA 2003Image via WikipediaWith over 60 years of pageant experience between Ms. Boyd, Ms. Brunelle and Ms. Jones, Tiara Tips participants are certain to take one step closer to the crown. Girls will be taught in 3 age groups: Sashes: Ages 10-12, Scepters: Ages 13-17 and Crowns: Ages 18-26. All three ages groups will work with all three trainers on a rotating schedule throughout the day. The boot camp will culminate in a Pop Up Pageant allowing the girls to demonstrate their skills and personal expression.

Girls are encouraged to arrive dressed in black shorts or leggings, a pink top and tennis shoes or trainers. Girls must bring a yoga mat or towel, water, snacks, lunch, a camera, pageant shoes/heels and any pageant clothing, shoes or accessories they wish to trade or sell in the Tiara Tips Boot Camp Boutique of gently used pageant wear.

Katie Boyd is a specialist in pageant preparation with a personal training career spanning over a decade. A native of Taunton, she owns Katie Boyd's Miss Fit Club, co-Owner of MoKa Tan and is the proud sponsor of the Miss Massachusetts USA/Teen USA Pageant. Miss Boyd was crowned Miss Taunton 1999, Miss Bristol County 2000, Miss Fall River 2002, and Miss New Bedford 2004. She placed Top 10 at Miss Massachusetts. She has over 20 years pageant experience and has sent over 30 girls to Miss USA and Miss America. She has been a personal trainer for 12 years. She is an expert rating certified sports nutritionist and holds a personal training certification through International Sports Sciences. Ms. Boyd's high profile clientele includes members of the New England Patriots, Patriots' Cheerleaders and Red Sox wives.

Lorna Brunelle is a graduate of The Boston Conservatory and owns The Burt Wood School of Performing Arts/The Alley Theatre in Middleboro. She is the official vocal coach sponsor for the Miss Massachusetts Pageant. She has been teaching voice, diction, interview, public speaking, acting and pageant preparation for 20 years. Her clients have won countless crowns and thousands of dollars in college scholarship. Since 2008 three of her girls have represented Massachusetts at Miss America. As an On Camera acting teacher and casting director at Boston Casting Inc., her students have landed roles in TV, film and live theatre. Ms. Brunelle is the author of "Dirty Bombshell-From Thyroid Cancer Back to Fabulous" and has been honored for her community service and humanitarian work.


Monique Jones is co-owner of MoKa Tan and is the proud sponsor of Miss Massachusetts USA/Teen USA Pageant. With over 25 years in pageantry Monique was crowned Miss Taunton 2004, Miss Massachusetts Teen USA 2000, placed TOP 15 at Miss Teen USA, Top 10 at Miss Massachusetts, 1st Runner up Miss Massachusetts USA '02, '05-'09 and was featured in 2003 Sports Illustrated Swimsuit Edition. Miss Jones was a "Carey Cutie" on the Price Is Right and has been a professional model for the past 20 years. She recently signed with MMG (Model Management Group) in NYC and Los Angeles. Ms. JOnes has a Bachelor's degree in Communications and is a licensed makeup artist. She has had 16 years of dance training.

The Tiara Tips early registration Fee is $200 and must be received by Dec. 24. The fee is $250 after Dec. 24. For more information call The Burt Wood School of Performing Arts at 508-946-1071 or email burtwoodschool@aol.com. Registration forms can be found online at

burtwoodschool.com. Return all paperwork and payments to:

The Burt Wood School of Performing Arts, 133 Center Street, Middleboro, Mass 02346, C/O: TIARA TIPS BOOT CAMP.
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